This is the new novel by Shane Jesse Christmass. The pages feature other literature formats turned into novel. EG: Movie script or Images. Features repetition of sentences, tweaks of images causing dislocation and jump-cut in narrative. Features death of characters only for characters to reappear later. Features interchangeable sexes of characters. Features a somnambulist drift between tenses. Features a relentless overload of information. Features a dissolution of the definition of dialogue. Features a total rejection of introduction/beginning/end. Features spells of images piling upon each other. Features the embrace of run-on sentences, fused sentences and comma splices. Facilitates the destruction of middleclass compositional clichés. EG: Writing in transit to weakness. There is no authorial weakness. Takes pleasure in, and promotes, the instability of meaning. Allows denunciation of synopsis, allows denunciation of and narrative that is usually only reduced to goal, motivation and conflict. Allows dismissal of turning points, moral compass, and character arc. Features Stetson grease. Written as fervent selection, action as opposed to waiting for inspiration. Allows for the negation of comprehensive concept statements. No miniature sentences to pitch the manuscript. Newspaper structures. The implementation of doodles, images into the document. The disintegration of narrative in align with various murder scenes, programs. Disarmament programs. This isn’t the Century to renew and constantly evolve. There are no more words. Worlds within worlds, stories between technological advancements. Handwritten fiction. This distinction between reality and illusion. Menthol cigarettes. Mint aftershave. This aligns with the spasmodic. The telephone. Black patent shoes. Aleatory experience of the modern. Seven inch heels. Your world above cannot be done naturally. Sudden jets in your earhole. Business shirts. Undefined metaphor and simile. Personal calls. The abattoir to promote the author’s political views. Room service. Blue denim. An intensified sense of rib cage. You’re drinking Pepsi-Cola. Vagueness with regards to POV. Drastic dislocations of space. A drum kit in the dark time. The story can be started, the room fills. Parentheticals as opposed to miserly ringing during dinner service. Mustard gas. Adjectives. Scrapings from past manifestoes (futurism, burnt-out ticket booth). Assemble a shower stall with retail electronics. Instant new structure that defiles the past. Coffee in the medicine cabinet. Warm brandy. Reclusivism. Unnamed spill on bath towel. Cash. $$$. paypal.me/shanejessechristmass. This is the new novel.
NOTE: If cover images are missing from any of the above links, please be aware that the books are still available for purchase.
Dimensions: 5 x 8 inch>
ISBN: 978-1540629333 Cat No: DW-002-95 Imprint: Dostoyevsky Wannabe Experimental Publishing Model: Classic
Shane Jesse Christmass is the author of the novels, Police Force As A Corrupt Breeze (Dostoyevsky Wannabe, 2016) and Acid Shottas (The Ledatape Organisation, 2014).
He was a member of the band Mattress Grave, and is currently a member of Snake Milker.
An archive of his writing/artwork/music can be found at www.sjx.digital + www.shanejessechristmass.tumblr.com